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Passion For Light
As a child, I made Christmas cards for my family, little scenes of a snowy house. I attached glitter to the snow – and it was magic, because the snow I painted reflected light, just like real snow. Everyone in my family loved cards.
Later, in art school, I learned how to paint and draw light and shadow, a very important skill in creating volume in a two-dimensional world. And this, today, is what I still teach. The ability to create light and reflection creates a dimension that creates a three-dimensional volume. We are all hard-wired to see this third dimension in a two-dimensional illusion. This is how we see.
THE LIGHTING EXPERT
I took a job as an assistant in a lighting showroom. It was going to be temporary, while I got my studio together, but I found that it interested me and eventually, I took the test to become a Lighting Specialist. I enjoyed advising clients on lighting options and all aspects of marketing.
I began to see that light was important to my work as an artist. If I sculpted a horse, it was important to me how the light illuminated the three-dimensional object. When I was painting, I found that the light entered the surface with two layers in two ways: one, when the light and shadow using light colors and dark colors, it was shown and two, when using the colors themselves I was able to change the light to dark and show. light and shadow in that way. Then all the elements from art history, grids, light and shadow painting to show space came to my memory and I started to paint in that way. The results were amazing.
A HISTORY OF LIGHT DISPLAYS
Light and shadow were not always what art was. In many cultures today and in Western Civilization from antiquity to the Middle Ages, display of volume and size was not important. Sculptures, painted or painted religious images did not require a deep space. Flat, iconic symbols of religious deities and figures that represent social concepts and spiritual influence do not require space, light and shadow.
In the Renaissance, artists began to create landscape with vision and light and shadow. They build large, framed glass panels and often move on wheels. On the surface of the glass they draw a grid. They moved the grid to what they wanted to paint, a landscape, a group of figures or a single figure and worked from a quadrant (a certain grid space.) They had to stay very still and not move too much, or their vision would be to look at the glass grid and their subject would change.
Artists such as Michelangelo, DaVinci and Albrecht Durer, who used this grid, began to see how things they looked at, returned to space – that is, from a distance, things got smaller by going straight up. That drop of objects at a distance would be a real mathematical calculation. It was a great mix of science and art – so typical of the revolutionary Renaissance.
This drawing and painting of the illusion of a third dimension using a grid to find objects in space and transfer them to a two-dimensional plane became the way we see things today. We look at magazines, videos, movies, apps, and with this new visual data we will never doubt our visual encounter with the third vision. And we respond consciously and subconsciously to this illusion. A horror movie can give us a fear deep enough to influence our behavior, perhaps for the rest of our lives. Or a nice picture in a movie, magazine or website on the Internet can stimulate us and remind us of things that will comfort and calm us. Indeed, we are delusional believers and we pay too much attention to what we see.
Over thirty years of teaching art, working as a lighting specialist and artist, I began to see that light is a very personal thing – the driver of my artistic efforts,. I see, through teaching and marketing communications, that we are all greatly influenced by the quality of light. I see, although I have not researched this scientifically, that light affects us more than we think. Lighting in the workplace has an impact on how we work. In our homes, our lighting plays a major role in how we interact with our environment. I know this from years of consulting and recommending lighting solutions and receiving positive feedback from my clients.
The way we perceive things in our lives, and in particular, aging is influenced by light. I think that early on in our human development, the sunrise and sunset were very important spiritually and intellectually. Multiculturalism: Stonehenge, Peruvian Indians, developed their rituals around sunrise and sunset. Artificial lighting has changed us, expanding us into a time zone where we can be more efficient, but also more creative. Also, it has undermined the control of the sun in our lives because we have created our own light. This has been a huge cultural change as well.
Now that I am 70 years old, I see that light in its many manifestations has guided me through my life. When I was creating my art for my degree exhibition at Pratt Institute, I made carved shapes from old doors, sprayed the cracks of those buildings with bright paint and played black lights on my buildings. What I wanted to show is that those images of the statues, so they are in the medium form, and carved outside the doors were illuminated by light at the moment. There was an airy floor in the middle, a kind of church window going back where the light was coming out of the church, rather than coming in from the outside.
Since then, my artistic endeavors have been directed into many areas: collage, printmaking, oil, painting, watercolor, acrylic painting, mixed media, quilts, textile art and more. For each investigation of the tools and techniques and skills needed to manage those areas, light has always been behind those projects.
My feeling is that light is also a life-creating thing that imbues each of us with spiritual energy, and we are very comfortable with it. But if we sit, just for twenty minutes, in any corner of the room and watch the light from any given object, we will begin to see how this wonderful thing can affect our lives. And perhaps, that will be revealed by the vision of light manifested, with many definitions of light in many languages, to describe inspiration, spiritual connection, understanding, and vision that advances thought and action.
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