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The Modern Recording Studio
Basics of Audio Studio Software
Technology has come a long way from 24-day mixing desks, Akai samplers, rackmount effects units and miles of braided cables hiding under tables. About ten years ago, the above was the norm if one wished to produce any type of dance music at the release level. Even with an investment of 15k in all the required equipment including synthesizers and computers and the above essentials, the output will be limited. Some synths only have one output, you will need a separate compression unit for each sound that needs compression, an effect unit will be needed for each send…the list goes on.
The more money you have, the more sounds can be blessed by being delivered to one of the many units to add sparkle, weight, presence or abuse. Like most things in life, hard earned money buys not only quantity but quality. You can buy ten cheap compressors or one high quality one. And yes, it makes a huge difference in sound. A song can be defined as something more than the sum of its parts with the added sprinkling of magic that the producers/engineers/makers put into it.
Keeping this equation in mind, it is clear that no matter how many channels can be created, it is important that each one is treated as a weak and important baby. Strapping on the cheapest deck eq with a 50 compressor per channel, running them through budget effect units and then pushing the whole mix with a beat up old ‘mix exciter’ is not going to give you class and quality. However, this formula worked for many years in the underground dance scene where the content and energy of the music was more important than sounding like a light chart.
Times have changed since nicotine contaminated the studios in the early to mid nineties. Yes they still exist and have their well earned place BUT there is another option in the 21st century. A studio in a box. Actually. Although it is less obvious than a room full of knobs, buttons, sliders, dust and flashing lights, the digital studio we carry can be very misleading to the uninitiated. Walk into a room with all of the aforementioned equipment and you will be immediately impressed, and often amazed, by the sheer volume and weight of it all.
“How do you know what each button and twiddly does?” people would ask. Like there were a lot of twiddly things to navigate and buttons to push before the alchemy of turning gritty samples into dance floor-destroying art was possible. But as a producer/engineer, this job was your job. He studied for sheer love. Musicians, DJs, groupies etc will have faith and leave you to get on with it. Controlling all those tools (or at least doing them) will always be a rage and earn instant respect.
But how attractive is it to be placed in front of the PC, to rotate the mouse instead of many buttons and sliders? How respectful is it to have all those expensive, fancy things replaced with zeroes? Some might say it’s less… but as the saying goes, never judge a book by its cover. Another cliche is ‘the proof is in the pudding’. And if your pudding is climbing the charts or hitting dancefloors across the country and DJs getting excited over it then it’s safe to say your work is done. How you achieve results is up to you. And with ever-increasing families of softsynths, VST plug-ins, sequencers, DSP cards etc. your chances are much better than 15 years ago to have a high production studio without spending 80,000 on it.
Hardware still has a strong and important place where music production and recording is concerned. With some mixing desks of up to 250,000, it’s safe to assume they’ll help make tracks that sound like they were made in a high-end London studio. It’s not a case of a “hardware vs. software” debate like many like to enter but rather look at both worlds and come up with the one that best suits your needs. If you’re a student and a DJ wanting to crank out some dirty electro then coughing up tens of thousands of pounds of hardware to jam into your halls of residence is probably not the best option. A more logical solution would be a software approach.
With today’s complete software studio, the quality of production can match that of a hardware studio that sports up to 100,000 worth of kit. This may sound silly but think about it. He has a song with 27 sounds. Each one asks for your exact tolerances so you can come up with the best compression unit you have. About the price of a grand. If only 15 of these channels need such treatment then…well you do the math. Add high-end EQ, limiting, reverbs, delays, phasers, flanging, stereo processing, synths… the list goes on. Buy another high-end software processor and it’s instantly available on all channels. Get yourself one fat softsynth and use it as many times as you want in the same song. It’s not cheap entertainment in the form of hardware for those who don’t have notes hidden under their bed, read on. This guide is for anyone who wants to produce crisp, high-quality tracks on their computer without any compromises. A cheap recording studio does not mean low sound quality! Cheap music software doesn’t mean limited production options.
Software audio generation algorithms are constantly improving. With some companies producing DSP cards and VST and DirectX plugins that are very close to expensive hardware, this is a serious consideration.
So when you’re sitting and looking at that little PC sitting on its desk in disbelief, don’t judge. It’s a large room lined with knobs, sliders, samplers, synths, compressors, buffers, effect units, distortion pedals and much more. After all, if you were to open it up and give these and zero form a moment, you’d be hard-pressed to find room to accommodate all of these amazing tools of anger and manipulation.
Thankfully it doesn’t have to be a 3 year full time degree to know what tools and software to buy. There are experienced producers in the industry who currently help newbies with this and give private tuition to pass on the secrets and tricks of the trade… to save a lot of money, stress, time and energy and to give a fast track. to achieve the professional product quality you want. This can cover any modern style of music including trance, house, electro, dubstep, breakz, pop, drum & bass, downtempo, grime, hiphop, RnB, techno, hardcore, psytrance, hardstyle and much more.
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